WILLIAM GIBSON PDF

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PDF | For more than thirty years, through three series of futurist works, the “ Sprawl,” “Bridge,” and “Blue Ant” trilogies, Gibson has substantively contributed to a. thean Motif in Willian Gibson's Neuromancer, de autoria do mes- . ences the development of the creator-creature relation in SF, especially in William Gibson's. Neuromancer William Gibson Ace Science Fiction Books New York Neuromancer An Ace Science Fiction Book / published by arrangement with the author.


William Gibson Pdf

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Author: William Gibson Gibson, William - CyberPunk 1 - Neuromancer · Read more Gibson, William - Sprawl 01 - Neuromancer · Read more. (ebook txt) William Gibson - Disney Land with the Death Penalty. Read more ( ebook) William Gibson - The Gernsback Continuum. Read more. Autor: William Gibson Rating: of 5 stars () counts. Original Format: ebook , Download Format: PDF, FB2, MOBI, MP3. Published: August 29th / by.

What he is the first to have described is a complete space constructed out of the representation of data. This space is only attributed certain urban features by comparing its representa- tion to a city. The space of data has thus acquired a number of characteristics that are automatically associated with the selected city images.

The metaphors in Neuromancer, in other words, induce us less to study the implications of cyber- space for the contemporary city - as Boyer and Davis would have it - than to study which "urban" characteristics are being associated with the spatial repre- sentation of data. This space of data, colored by urban images, is the arena in which the transformation of cyberspace takes place.

This transformation, as I will demonstrate, has less to do with the formal characteristics of this space than with the way in which the space enters into a relation with its user.

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Neuromancer's description of the databanks of the Tessier-Ashpool family suggests at first that data in the matrix are not only visually presented like a city or a conglomeration of buildings , but also really structured like a city.

You know the old RCA Building? When the protagonist, Case, "jacks in" for the first time i. To break into a databank "He punched himself through and found an infinite blue space ranged with color-coded spheres strung on a tight grid of pale blue neon" [81; emphasis added I.

A databank is found by entering the correct coordinates: He opened it. Grid coordinates and entry codes" [ The matrix, in short, appears as a full complement of real space.

The components of this complementary space carry specific connotations, The grid is one of the preeminent images for conjuring up the modern utopia; it appears, in Scott Bukatman's words, as a "doubled sign of modernity - as it rep- resented the present, 'everything else was declared to be the past.

The gridwise multiplication of geometrical volumes in fact recalls a project like Le Corbusier's Ville Radieuse. The comparison is worth pursuing for a moment since it transcends the level of mere formal analogy and introduces two impor- tant, interwoven themes already announced by Bukatman.

The Ville Radieuse as conceived by Le Corbusier enters into a specific rela- tion with the past of a site as well as with history in general. It thereby embodies a certain notion of monumentality. A Ville Radieuse is simultaneously new and definitive; it has no past and stands outside history.

List of works by William Gibson

This position becomes quite clear if we look at the Plan Voisin, a proposal for Paris made by Le Corbusier in and obviously related to the idea of the Ville Radieuse. Only tru- ly idiosyncratic monuments like the Notre Dame are spared. The historical rem- nants in the plan function as a pars pro toto, as compressers of the past in a space that is otherwise spotlessly new.

They liberate the rest of the environment from history and clear the way for the three-dimensional grid. An expanded monumentality is 20 Bukatman, Terminal Identity, l. Art etArchitecture en Europe, , ed.

Jean Dethier and Alain Guiheux Paris: Exhibition Catalogue Centre Pompidou, Allen Brooks, ed. Garland Publishing; Paris: Fondation Le Corbusier, To him, cyberspace, "in its vectored perfection, its spaceless space, its scaleless scale and its timeless time," recalls Smithson's fascination for "a city constructed of'null structures and surfaces' which perform no functions.

The Recursive Generation of the Cyberbody," in Cyberspace, ed. Featherstone and Burrows, At the same time, this world is able to offer us some comfort for the intractability of processes at the lev- el of microcircuits and other hardware.

Thanks to the grid, the intractable multi- tude of the virtual and the real worlds acquires a certain perspectival cohesion. The urban quality of cyberspace would thus consist of the fact that the matrix offers an environment in which the virtual flaneur gathers structured knowledge by navigating along visually presented pieces of information.

This thesis has a reassuring appeal, yet it is severely complicated by the book itself. In Neuromancer, cyberspace proves to be much more unstable and incalcu- lable than the indicated metaphors for the matrix suggest.

The passage from which the emblematic quotation about cyberspace was culled also speaks of a "consensual hallucination" and "Unthinkable complexity" [ The passage in which the T-A data are compared to a city surrounded by suburbs occurs in the following description of Case's ultimate run on the heavily guarded files: The roof of his mouth cleaved painlessly, admitting rootlets that whipped around his tongue, hungry for the taste of blue, to feed the crystal forests of his eyes, forests that pressed against the green dome, pressed and were hindered, and spread, growing down, filling the universe ofT-A, down into the waiting, hapless suburbs of the city that was the mind of Tessier-Ash pool SA [ He quotes Jameson one year before the publication of Neuromancer, saying that "this latest mu- tation in space - postmodern hyperspace - has finally succeeded in transcending the capacities of the individual human body to locate itself, to organise its immediate surroundings perceptually, and cognitively to map its position in a mappable external world.

The Discourse of Cyberculture, ed. Mark Dery Durham: This book appeared earli- er as a thematic issue of The South Atlantic Quarterly 92, 4 Allegory, Rhetoric, and the Paraspace," Critique 33,3 First Steps, ed. Michael Benedikt Cambridge, MA.: M IT Press, , A Casebook ofCyber. Larry McCaffery Durham: Dery, In Neuromancer, the real city and the matrix are linked through the kinetic intox- ication experienced by protagonists. Case, for example, "[felt]a wave of exhilara- tion as cyberspace shivered, blurred, gelled" [ On another occasion, "The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-raysof short circuited sexual energy" [ Cyberspace acquires the same immersiveness as the modern city, which in turn is presented as an intoxicating image.

Urban space and cyber- space each enabled an understanding and negotiation of each other. Games show the intoxicating potential of an electronically simulated environment. In Gibson's own words about his first ac- quaintance with arcade games: Even the narrative structure of Neuromancer is closely related to the arcade game. The two key moments in the story are attacks that run parallel in cyberspace and real space.

The two worlds are linked by a "simstim- switch," which permits Case, while he is jacked in on the matrix, to ride along in the meatworld via the sensorium of Molly, the fighting machine. Then he keyed the new switch.

The abrupt jolt into other flesh. Matrix gone, a wave of sound and color She was moving through a crowded street, past stalls vending dis- count software, prices feltpenned on sheets of plastic, fragments of music from countless speakers. Smells of urine, free monomers, perfume, patties of frying krill.

For a few frightened seconds he fought helplessly to control her body. Then he willed himself into passivity, became the passenger behind her eyes [ Both in its representation of the real city and its descriptions of cyberspace, Neuromancer is soaked in the kind of "machine-age modernity" for which intoxi- cation and multitude are essential ingredients. Gibson's use of this aesthetic is a typically modernist way of conjuring up an image of "the new.

The driving force behind this transformation proves to be the memory. On several occasions, Gibson has emphasized that the computer is to him no more than a metaphor for the memory and its operations. The memory is carried in genetic codes and is manifested throughout Neuromancer in the form and use of different spatial surroundings. When Case, at the outset of the story, is being chased through Ninsei the underbelly of the Japanese city of Chiba , he compares the kick of a drugged run through the slums to a run through the matrix: Then you could throw yourself into a highspeed drift and skid, totally engaged but set apart from it all, and all around you the dance of biz, information interacting, data made flesh in the mazes of the black market [ Ninsei is a field of data in the same way the matrix recalls a linking of proteins.

The street and the proteins are carriers of data, of information. The actions on the street and the interactions of proteins are determined by these data; they form "data made flesh" and "cell specialties. There are not only significant and essential internal links among data, but also similar external links between those data and the manner in which they are physically manifested.

When by the end of the book Case asks why his girlfriend Linda Lee had to die, Neuromancer replies that he saw her death prefigured in the "patterns you sometimes imagined you could detect in the dance of the street" [ These patterns are real, "As clear to me as the shadow of a tumor to a surgeon studying a patient's scan" [ Much as the life of the street finds its translation in material patterns, death is legible from an unwanted excrescence.

For Case at one point, the streets ofNinsei are no more than "the externalization of some death wish" [ Although life in Ninsei is no bed of roses, passages like these suggest an 34 McCaffery, "Interview," Delany , "Black to the Future: Interviews with Samuel R. Dery, ' It is precisely this link between the city and everything taking place in it which is almost completely absent from Freeside.

Freeside is sterile, less real than simstim. Wintermute manages the colony like a perfect machine. When Case is arrested by the Turing police, the AI has the offi- cers killed by the maintenance and surveillance robots.

The counterpart of Free- side in Neuromancer is the Zion cluster, a space colony of a rastafarian subculture founded by five spaceworkers who refused to return to earth.

The Tessier-Ashpools' Villa Straylight wants to escape from the sterility of Freeside's custom accommodation at all costs. The Villa is described as "a Gothic folly," and "endless series of chambers linked by passages, by stairwells vaulted like intestines" [ Whereas Freeside is being presented as nothing but service- able infrastructure, Straylight wishes to suggest a significant connection between home and residents.

The relationship between the family and the house is not shown to the outer world, nor is it expressed in a representation of the family's activities or some image of its history. He looked at the octagon, then at her. Eat a dozen. Nothing did. Three beers later, she was asking Ratz about the fights.

The corridor, with a door at either end, was a crude airlock preserving the pressure differential that supported the dome. Fluorescent rings were screwed to the plywood ceiling at intervals, but most of them had been broken. The air was damp and close with the smell of sweat and concrete.

None of that prepared him for the arena, the crowd, the tense hush, the towering puppets of light beneath the dome. Concrete sloped away in tiers to a kind of central stage, a raised circle ringed with a glittering thicket of projection gear.

No light but the holograms that shifted and flickered above the ring, reproducing the movements of the two men below. Strata of cigarette smoke rose from the tiers, drifting until it struck currents set up by the blowers that supported the dome.

No sound but the muted purring of the blowers and the amplified breathing of the fighters. The holograms were ten-power magnifications; at ten, the knives they held were just under a meter long. The knives seemed to move of their own accord, gliding with a ritual lack of urgency through the arcs and passes of their dance, point passing point, as the men waited for an opening.

She nodded, lost in contemplation of the dance. He turned and walked back into the shadows. Too dark. Too quiet. The crowd, he saw, was mostly Japanese. Not really a Night City crowd. Teaks down from the arcologies. He supposed that meant the arena had the approval of some corporate recreational committee. He wondered briefly what it would be like, working all your life for one zaibatsu. Company housing, company hymn, company funeral. He bought yakitori on skewers and two tall waxy cartons of beer.

Thick brown sauce trickled down the skewers and over his knuckles. Shadows twisted as the holograms swung through their dance. Then the fear began to knot between his shoulders.

A cold trickle of sweat worked its way down and across his ribs. He was still here, still meat, no Molly waiting, her eyes locked on the circling knives, no Armitage waiting in the Hilton with tickets and a new passport and money. It was all some dream, some pathetic fantasy. Hot tears blurred his vision. Blood sprayed from a jugular in a red gout of light. And now the crowd was screaming, rising, screaming — as one figure crumpled, the hologram fading, flickering.

Raw edge of vomit in his throat. He closed his eyes, took a deep breath, opened them, and saw Linda Lee step past him her gray eyes blind with fear. She wore the same French fatigues. Into shadow. Pure mindless reflex: Afterimage of a single hair-fine line of red light. Seared concrete beneath the thin soles of his shoes.

Her white sneakers flashing, close to the curving wall now and again the ghost line of the laser branded across his eye, bobbing in his vision as he ran. Someone tripped him. Concrete tore his palms. He rolled and kicked, failing to connect. A thin boy, spiked blond hair lit from behind in a rainbow nimbus, was leaning over him.

Above the stage, a figure turned, knife held high, to the cheering crowd. The boy smiled and drew something from his sleeve. A razor, etched in red as a third beam blinked past them into the dark.

The face was erased in a humming cloud of microscopic explosions. He was walking toward the stalls, into the shadows. He looked down, expecting to see that needle of ruby emerge from his chest. He found her. She was thrown down at the foot of a concrete pillar, eyes closed. There was a smell of cooked meat. A beer vendor was wiping his taps with a dark rag.

One white sneaker had come off, somehow, and lay beside her head. Follow the wall. Curve of concrete. Hands in pockets. Keep walking. Once a seamed European face danced in the glare of a match, lips pursed around the short stem of a metal pipe. Tang of hashish. Case walked on, feeling nothing. Time to go home. She stopped him with a hand on his chest. Killed your girl for you. We got a partial profile on that old bastard when we did you, man. The one back there said they got on to her when she was trying to fence your RAM.

Just cheaper for them to kill her and take it. Save a little money I got the one who had the laser to tell me all about it. Coincidence we were here, but I had to make sure.

Case felt as though his brain were jammed. He saw that her hands were sticky with blood. Back in the shadows, someone made wet sounds and died.

After the postoperative check at the clinic, Molly took him to the port. Armitage was waiting. The last Case saw of Chiba were the dark angles of the arcologies. Then a mist closed over the black water and the drifting shoals of waste. Program a map to display frequency of data exchange, every thousand megabytes a single pixel on a very large screen. Manhattan and Atlanta burn solid white.

Then they start to pulse, the rate of traffic threatening to overload your simulation. Your map is about to go nova. Cool it down. Up your scale. Each pixel a million megabytes.

At a hundred million megabytes per second, you begin to make out certain blocks in midtown Manhattan, outlines of hundred-year-old industrial parks ringing the old core of Atlanta. He watched himself download a flat plastic flask of Danish vodka at some kiosk, an hour before dawn. The train itself was silent, gliding over its induction cushion, but displaced air made the tunnel sing, bass down into subsonics. Vibration reached the room where he lay and caused dust to rise from the cracks in the desiccated parquet floor.

Opening his eyes, he saw Molly, naked and just out of reach across an expanse of very new pink temper foam. Overhead, sunlight filtered through the soot-stained grid of a skylight. One half-meter square of glass had been replaced with chip-board, a fat gray cable emerging there to dangle within a few centimeters of the floor.

The room was large. He sat up. The room was empty, aside from the wide pink bedslab and two nylon bags, new and identical, that lay beside it. Blank walls, no windows, a single white-painted steel fire door. The walls were coated with countless layers of white latex paint. Factory space. He was home. He swung his feet to the floor.

It was made of little blocks of wood, some missing, others loose. His head ached. He remembered Amsterdam, another room, in the Old City section of the Centrum, buildings centuries old. Armitage off on some cryptic foray, the two of them walking alone past Dam Square to a bar she knew on a Damrak thoroughfare. Paris was a blurred dream. He stood, pulling on a wrinkled pair of new black jeans that lay at his feet, and knelt beside the bags.

Beneath a green t-shirt, he discovered a flat, origami-wrapped package, recycled Japanese paper. The paper tore when he picked it up; a bright nine-pointed star fell — to stick upright in a crack in the parquet. He stood in the open doorway with an old-fashioned magnetic key in his hand.

MFS Modern Fiction Studies

Molly was making coffee on a tiny German stove she took from her bag. Infrascan perimeter, screamers Armitage was no taller than Case, but with his broad shoulders and military posture he seemed to fill the doorway.

He wore a somber Italian suit; in his right hand he held a briefcase of soft black calf. The Special Forces earring was gone. The pale glitter of his eyes heightened the effect of a mask. Case began to regret the question.

Neuromancer

Or corporate security," Case added uncomfortably. Molly handed him a steaming mug of coffee. You should thank me. The one we bought for you frees you from a dangerous dependency. Armitage was smiling. Very slowly, but they definitely are dissolving. Each one contains a mycotoxin. It was the one your former employers gave you in Memphis. Do the job and I can inject you with an enzyme that will dissolve the bond without opening the sacs. So you see, Case, you need us.

You need us as badly as you did when we scraped you up from the gutter. She shrugged. Like Christmas morning. He sat beside Molly in filtered sunlight on the rim of a dry concrete fountain, letting the endless stream of faces recapitulate the stages of his life. First a child with hooded eyes, a street boy, hands relaxed and ready at his sides; then a teenager, face smooth and cryptic beneath red glasses.

Case remembered fighting on a rooftop at seventeen, silent combat in the rose glow of the dawn geodesics. He shifted on the concrete, feeling it rough and cool through the thin black denim.

Nothing here like the electric dance of Ninsei. This was different commerce, a different rhythm, in the smell of fast food and perfume and fresh summer sweat. With his deck waiting, back in the loft, an Ono-Sendai Cyberspace 7. Big ones. Near airports, if he can manage it. Works either way. I saw you stroking that Sendai; man, it was pornographic. Eggs, real bacon.

Probably kill you, you been eating that rebuilt Chiba krill for so long. Case picked at a shred of bacon that had lodged between his front teeth.

He looked around the deserted dead end street. A sheet of newsprint went cart wheeling past the intersection. Freak winds in the East side; something to do with convection, and an overlap in the domes. Case peered through the window at the dead sign. Maintaining connections. The door was a sheet of corrugated roofing. He caught the sign for cash, a thumb brushing the tip of the forefinger. The door swung inward and she led him into the smell of dust.

They stood in a clearing, dense tangles of junk rising on either side to walls lined with shelves of crumbling paperbacks. The junk looked like something that had grown there, a fungus of twisted metal and plastic. He could pick out individual objects, but then they seemed to blur back into the mass: An enormous pile of old magazines had cascaded into the open area, flesh of lost summers staring blindly up as he followed her back through a narrow canyon of impacted scrap.

He heard the door close behind them. The tunnel ended with an ancient Army blanket tacked across a doorway.

White light flooded out as Molly ducked past it. Four square walls of blank white plastic, ceiling to match, floored with white hospital tile molded in a non slip pattern of small raised disks. In the center stood a square, white- painted wooden table and four white folding chairs.

The man who stood blinking now in the doorway behind them, the blanket draping one shoulder like a cape, seemed to have been designed in a wind tunnel. He wore an ancient tweed jacket and held a handgun of some kind in his left hand. He peered at them, blinked, and dropped the gun into a jacket pocket. He gestured to Case, pointed at a slab of white plastic that leaned near the doorway.

Case crossed to it and saw that it was a solid sandwich of circuitry, nearly a centimeter thick. He helped the man lift it and position it in the doorway. Quick, nicotine-stained fingers secured it with a white velcro border. A hidden exhaust fan began to purr. You know the rate, Moll. For implants. Stand on the tape. Straighten up, yeah. Now turn around, gimme a full three-sixty.

The man took a small monitor from his pocket and squinted at it. Silicon, coat of pyrolitic carbons. A clock, right? Your glasses gimme the read they always have, low-temp isotropic carbons. Same with your claws. You want me to shut the screen down? This is as private as I can afford. I saw your profile, Case.

You ever work with the dead? Him and Ovine. I know Quine, by the way. Real ass hole. Paid him mega, you bet your ass. He was the best.

You know he died brain death three times? Showed me tapes. Armitage gets orders. We could a bought twenty world class cowboys for what the market was ready to pay for that surgical program.

You were good, but not that good. But no, we gotta get us the Flatline and nothing else. Fence, mostly. This privacy biz is a sideline. But I got Armitage to let him be our tech here, so when he shows up later, you never saw him. Got it? You gotta jack, I gotta tussle.

I checked.

And starters is all I got. I mean, maybe you could have a little look around. Maybe not. I think he needs you, Case, and real bad.

You can winkle him, sure. Mostly for you. And one certified psychopath name of Peter Riviera. Real ugly customer. I saw his profile. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts A graphic representation of data abstracted from the banks of every computer in the human system.

Unthinkable complexity. Lines of light ranged in the non space of the mind, clusters and constellations of data. Like city lights, receding. Eight days from waking in Cheap Hotel with Molly beside him. Maybe easier for you, alone. He stared at the deck on his lap, not really seeing it, seeing instead the shop window on Ninsei, the chromed shuriken burning with reflected neon. He closed his eyes. Found the ridged face of the power stud. And in the bloodlit dark behind his eyes, silver phosphenes boiling in from the edge of space, hypnagogic images jerking past like film compiled from random frames.

Symbols, figures, faces, a blurred, fragmented mandala of visual information. Please, he prayed, now — A gray disk, the color of Chiba sky. Now — Disk beginning to rotate, faster, becoming a sphere of paler gray. Expanding — And flowed, flowered for him, fluid neon origami trick, the unfolding of his distance less home, his country, transparent 3D chessboard extending to infinity.

Inner eye opening to the stepped scarlet pyramid of the Eastern Seaboard Fission Authority burning beyond the green cubes of Mitsubishi Bank of America, and high and very far away he saw the spiral arms of military systems, forever beyond his reach. And somewhere he was laughing, in a white-painted loft, distant fingers caressing the deck, tears of release streaking his face.

Molly was gone when he took the erodes off, and the loft was dark. He checked the time. The security package taped to the steel fire door bleeped twice.

The smell of Cuban tobacco filled the room. He crossed to the worktable and glanced at the Ono-Sendai. Soon fix that. But here is your problem, kid. Booby-trapped for x-ray, ultrascan, God knows what else. Wire it into your Sendai here, you can access live or recorded Sims Tim without having to jack out of the matrix.

A countdown was in progress in one corner of the monitor screen. He knew that the trodes he used and the little plastic tiara dangling from a Simstim deck were basically the same, and that the cyberspace matrix was actually a drastic simplification of the human sensorium, at least in terms of presentation, but Simstim itself struck him as a gratuitous multiplication of flesh input.

The screen bleeped a two-second warning. The new switch was patched into his Sendai with a thin ribbon of fiber optics. And one and two and — Cyberspace slid into existence from the cardinal points. Smooth, he thought, but not smooth enough. Have to work on it. Then he keyed the new switch. The abrupt jolt into other flesh.

Matrix gone, a wave of sound and color. She was moving through a crowded street, past stalls vending discount software, prices felt penned on sheets of plastic, fragments of music from countless speakers. Smells of urine, free monomers, perfume, patties of frying krill. For a few frightened seconds he fought helplessly to control her body. Then he willed himself into passivity, became the passenger behind her eyes.

He wondered if the built-in amps compensated automatically. Blue alphanumerics winked the time, low in her left peripheral field. Showing off, he thought. Her body language was disorienting, her style foreign. She seemed continually on the verge of colliding with someone, but people melted out of her way, stepped sideways, made room. She slid a hand into her jacket, a fingertip circling a nipple under warm silk. The sensation made him catch his breath.

She laughed. But the link was one-way. He had no way to reply. Two blocks later, she was threading the outskirts of Memory Lane. Case kept trying to jerk her eyes toward landmarks he would have used to find his way. He began to find the passivity of the situation irritating. The transition to cyberspace, when he hit the switch, was instantaneous. He punched himself down a wall of primitive ice belonging to the New York Public Library, automatically counting potential windows.

Keying back into her sensorium, into the sinuous flow of muscle, senses sharp and bright. He found himself wondering about the mind he shared these sensations with. What did he know about her? That she was another professional; that she said her being, like his, was the thing she did to make a living. Her destination was one of the dubious software rental complexes that lined Memory Lane. There was a stillness, a hush.

Booths lined a central hall. The clientele were young, few of them out of their teens. The counters that fronted the booths displayed hundreds of slivers of microsoft, angular fragments of colored silicon mounted under oblong transparent bubbles on squares of white cardboard.

Molly went to the seventh booth along the south wall. Behind the counter a boy with a shaven head stared vacantly into space, a dozen spikes of microsoft protruding from the socket behind his ear. He sat up in his chair and pried a bright magenta splinter from his socket with a dirty thumbnail. His hand hovered, selected a glossy black chip that was slightly longer than the rest, and inserted it smoothly into his head.

His eyes narrowed. I'm impressed. Costs a lot, to get that sensitive. This says. Ghost impressions of the software complex hung for a few seconds in the buzzing calm of cyberspace.

Fads swept the youth of the Sparrow at the speed of light; entire subcultures could rise overnight, thrive for a dozen weeks, and then vanish utterly. The Hosaka had accessed its array of libraries, journals, and news services. Dark eyes, epicanthic folds obviously the result of surgery, an angry dusting of acne across pale narrow cheeks.

The Hosaka released the freeze; the boy moved, flowing with the sinister grace of a mime pretending to be a jungle predator. His body was nearly invisible, an abstract pattern approximating the scribbled brickwork sliding smoothly across his tight one piece. Mimetic polycarbon. Cut to Dr. Virginia Rambali, Sociology, NYU, her name, faculty, and school pulsing across the screen in pink alphanumerics.

Rambali smiled. A point at which the violence may well escalate, but beyond which the terrorist has become symptomatic of the media gestalt itself. Terrorism as we ordinarily understand it is innately media- related.

The Panther Moderns differ from other terrorists precisely in their degree of self-consciousness, in their awareness of the extent to which media divorce the act of terrorism from the original sociopolitical intent.

There was a kind of ghostly teenage DNA at work in the Sprawl, something that carried the coded precepts of various short-lived sub cults and replicated them at odd intervals. The Panther Moderns were a soft head variant on the Scientists. If the technology had been available the Big Scientists would all have had sockets stuffed with microsofts. It was the style that mattered and the style was the same.

The Moderns were mercenaries, practical jokers, nihilistic technofetishists. The one who showed up at the loft door with a box of diskettes from the Finn was a soft-voiced boy called Angelo. His face was a simple graft grown on collagen and shark-cartilage polysaccharides, smooth and hideous.

It was one of the nastiest pieces of elective surgery Case had ever seen. When Angelo smiled, revealing the razor-sharp canines of some large animal, Case was actually relieved. Tooth bud transplants. This was it. This was what he was, who he was, his being. He forgot to eat. Molly left cartons of rice and foam trays of sushi on the corner of the long table.

It was good ice. Wonderful ice. Its rainbow pixel maze was the first thing he saw when he woke. He was cutting it. He was working. He lost track of days. And sometimes, falling asleep, particularly when Molly was off on one of her reconnaissance trips with her rented cadre of Moderns, images of Chiba came flooding back. Faces and Ninsei neon. When he did remember, he jacked in and worked for nine straight hours.

Looks go. Go, got it? They chose to regard the entire operation as an elaborate private joke, and their choice of comsats seemed to have been deliberate. The recognition code was simple. Atlanta to Boston to Chicago to Denver, five minutes for each city. Case gulped the last of his coffee, settled the trades in place, and scratched his chest beneath his black t-shirt. He watched the countdown in the corner of the screen. He jacked in and triggered his program.

Check Molly. He hit the Simstim and flipped into her sensorium. The scrambler blurred the visual input slightly. Aside from the huge pair of sunglasses concealing her mirrored insets, she managed to look remarkably like she belonged there, another tourist girl hoping for a glimpse of Tally Isham.

She wore a pink plastic raincoat, a white mesh top, loose white pants cut in a style that had been fashionable in Tokyo the previous year. She grinned vacantly and popped her gum. Case felt like laughing. Dec 04, Stephen Rated it: I've had a wondrous epiphany! I finally get it I have seen the light and understanding has dawned.

Gibsons manifest brilliance has revealed itself to me and I am left humbled and quivering in AWE. After a rocky, tumultuous courtship that oscillated between respect and frustration through my first two readings of Neuromancer, number 3 became the CHARMing, rapturous awakening into a hopelessly devoted, head over heals love affair that Im confident will last a lifetime.

Now, with the ebullient fervor of the newly converted, I feel compelled to give testimony and proselytize the glory that is William Gibsons singular masterpiece. My first exposure to this book was late in the s, long after it had already spent over a decade as the magical source of all things cyberpunk.

I came to it after having read several of its prolific spawn and decided it was time to visit the source code. My first mistake I viewed the novel within the narrow confines of the world that it had created and completely missed its true magic. I saw the novel through the fog of my faulty preconceptions. I saw this as a novel for the cyberspacially erudite, and those not coded for the new paradigm were to be left behind in the trash heap of history along with the abacus and the printed word.

It missed the point entirely. Neuromancer didnt preach to the creators of the new, new thing William Gibson was more techno-stupid than techno-proficient and his interpretation of the interpretation of the future was the vision of an artist not an engineer. In fact, the few areas where Gibson had any knowledge about what he was writing are the areas that have become the most anachronistic.

What Gibson did see Increased dependance on technology, increased detachment among individuals and a blurring of lines between nations.

And all of this led to that central, crystalizing vision of cyberspace, artificial intelligence and the world wide web. Gibsons inspired, non-technical vision of the future was the lightning that created the fire of inspiration for the generation that then made his vision come to pass.

The teenagers and bidding technophiles of the s saw the fictional elements of Gibsons novel and said, holy shit, wouldnt that be cool" From Neuromancer's memorable first words, The sky above the port was the color of television, tuned to a dead channel to the final, mind-shattering conclusion of the mystery of Winter Mute Our protagonist, Case, is an amoral, ex-cyber cowboy i.

They damaged his nervous system with a wartime Russian mycotoxin. Strapped to a bed in a Memphis hotel, his talent burning out micron by micron, he hallucinated for thirty hours. The damage was minute, subtle, and utterly effective. For Case, who'd lived for the bodiless exultation of cyberspace, it was the Fall.

A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and he'd still see the matrix in his sleep, bright lattices of logic unfolding across that colorless void The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy.

Just another hustler, trying to make it through.

But the dreams came on in the Japanese night like livewire voodoo, and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temperfoam bunched between his fingers, trying to reach the console that wasn't there. After this brief intro and some layered world-building involving Chiba City, Case finds himself recruited by a group of criminals who agree to cure him in exchange for working with them on a complex caper involving aspects of cyberspace hacking and real world breaking and entering.

That is really the basic set up though it gives you less than a hint of the real flavor of the book. That is really a bare bones description of the plot, but there are so many well crafted summaries floating around that I wanted to stick mainly with commentary.

Gibsons prose is like nothing I have read before and it took me a while to come to grips with that statement.The military would never pass on a drug that couldn't be fought through.

He says if I can get this job and hold it for six months, he'll have the brainlock reversed. The clientele were young, few of them out of their teens. When the Finn appears to Case a final time, after the fusion, he no longer represents Wintermute.

It takes a complex computer system and the juridical control of a law firm in London to follow up this system and its continual shifts in authority and power. One of the teams. The counterpart of Free- side in Neuromancer is the Zion cluster, a space colony of a rastafarian subculture founded by five spaceworkers who refused to return to earth.

JEFFERSON from Macon
I do enjoy reading books gently. Browse my other articles. I'm keen on rubik's cube one handed.
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